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		<title>&#8216;A Portrait of Richard III&#8217; in movement, voice and cello</title>
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		<pubDate>Tue, 25 Jan 2011 01:37:33 +0000</pubDate>
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		<description><![CDATA[    The Wander-Light Eurythmy Company presents:                       &#8216;A portrait of Richard III&#8217; in movement, voice and cello &#8220;Now is the winter of our discontent&#8230;&#8221; Shakespeare&#8217;s famous opening lines for Richard III is the first dull awareness that something is niggling at him. This something is [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=aportraitofrichard3rd.wordpress.com&amp;blog=19433140&amp;post=33&amp;subd=aportraitofrichard3rd&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
			<content:encoded><![CDATA[<p><span style="font-family:'Trebuchet MS', sans-serif;font-size:x-small;"><em><span style="font-family:'Trebuchet MS', sans-serif;"> </span></em></span></p>
<p style="font-size:x-small;"><em><span style="font-family:'Trebuchet MS', sans-serif;"> </span></em></p>
<p style="text-align:right;"><em><span style="color:#008080;">The Wander-Light Eurythmy Company presents:</span></em></p>
<p style="text-align:right;"><a href="http://aportraitofrichard3rd.files.wordpress.com/2011/01/03_24.jpg"><img class="alignright size-full wp-image-44" title="RICHARD III flyer 23nov2010" src="http://aportraitofrichard3rd.files.wordpress.com/2011/01/03_24.jpg?w=400&#038;h=557" alt="" width="400" height="557" /></a></p>
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<p style="text-align:right;"><strong><span style="color:#444444;">&#8216;</span>A portrait of Richard III&#8217; in movement, voice and cello</strong></p>
<p style="padding-left:30px;"><span style="color:#008080;">&#8220;Now is the winter of our discontent&#8230;&#8221;</span></p>
<p><span style="color:#008080;">Shakespeare&#8217;s famous opening lines for Richard III is the first dull awareness that something is niggling at him. This something is his conscience of which he becomes fully conscious only in the course of the play, culminating in his nightmare (Act V, Sc.3) and in his last outcry</span></p>
<p style="padding-left:30px;"><span style="color:#008080;">&#8220;A horse, a horse, my kingdom for a horse!&#8221;</span></p>
<p><span style="color:#008080;">On the way to this realisation that to obtain the wings of Pegasus he must sacrifice his longing for worldy power. Richard is lead via blind ambition, tyrannising and calculated murder to his goal of becoming King of England, when in reality he aims for inner kingship. In our own destinies the &#8216;good life&#8217; does not leave us fulfilled but rather discontent, if not depressed. </span><span style="color:#008080;">We are not aware of why we are unfulfilled in our soul life, and try to suppress our dull awareness of conscience by various forms of distraction: e.g. consumption of drugs, addiction to infotainment etc. robbing us of the possibility of developing of our own goals. </span><span style="color:#008080;">After numerous horrendous acts, culminating in Richard&#8217;s murder of the royal twins (Tyrell&#8217;s speech, Act 4, Sc.3) Richard breaks down with the words</span></p>
<p style="padding-left:30px;"><span style="color:#008080;">&#8220;Unless I could put on some other shape / And not be Richard&#8230; &#8220;</span></p>
<p><span style="color:#008080;">This is the first time he realises who he really is. From this point on he loses his chutzpah, baffling his subjects and thus Shakespeare takes us swiftly to the cathartic conclusion.</span></p>
<p><span style="color:#008080;">In this play &#8211; one of Shakespeare&#8217;s masterpieces &#8211; one is pointed to the inner battlefield of the soul. </span><span style="color:#008080;">Richard III is pictured by Shakespeare as a hunch-back. Whether this is historically correct or not, Shakespeare uses this feature to point us to the inner mis-figuration of a tormented soul, to the inner hunchback. The art of eurythmy in this production enables us to enter this soul-space. Especially composed music sets the outer as well as the inner scene. With his at times strange, sombre and astonishing expression the narrator embeds his voice into the visible gestures.</span></p>
<p><span style="color:#008080;">2010 saw nine well-received eurythmy performances of &#8216;Richard III&#8217;: Melbourne, Montsalvat, Castlemaine, Ballarat, Canberra, Blue Mountains, Newcastle. </span></p>
<p><span style="color:#008080;">In 2011 we will be taking this production Australia-wide (Perth &amp; WA, Adelaide + Melbourne,Sydney, Brisbane &amp; numerous regional locations) as part of our 11th national tour.</span></p>
<p><span style="color:#008080;"> </span><span style="color:#ff0000;"><strong>Our production &#8216;A Portrait of Richard III&#8217; received the following critique:</strong></span></p>
<p><span style="color:#ff0000;"><em>&#8220;He really opened my mind up to new experiences, and broadened my eurythmy horizons&#8221;</em> (year 8 ) </span></p>
<p><span style="color:#ff0000;"> <em>&#8220;Like nothing we&#8217;d seen before, the darkness was palpable&#8221; </em>(year 10) </span></p>
<p><span style="color:#ff0000;"><em>&#8220;Mark gave a very physical performance of a tormented mind&#8221; </em>(year 10) </span></p>
<p><span style="color:#ff0000;"><em>&#8220;There&#8217;s nothing conformist about Mark―rebel eurythmist meets Nelson Mandela&#8230;&#8221;</em> (year 9) </span></p>
<p><span style="color:#008080;">Ben Darby &lt;benedictdarby@gmail.com&gt; (teacher high-school, Sophia Mundi Steiner School, Melbourne City)</span></p>
<p><span style="color:#008080;">Suitable for yrs 8―12 or an evening  performance.</span></p>
<p><span style="color:#008080;"><strong>The Performers </strong></span></p>
<p><span style="color:#008080;"><strong> </strong></span><span style="color:#008080;"><em>Dennis Coard graduated from the Victorian College of the Arts with a Diploma in Acting, and has since enjoyed 25 years of a rich and varied career on stage (Melbourne Theatre Company etc), screen &amp; television. He has been part of our Eurythmy Lear performances. </em></span></p>
<p><span style="color:#008080;"><em></em></span><span style="color:#008080;"><em>Mark Neill studied eurythmy with the European master Else Klink in Stuttgart Germany, receiving his Diploma for Perfomance. Over 20 years his eurythmy productions include Hamlet, Lear, numerous fairy-tales and works by Lawson, Dvorak, Rodrigo.</em></span></p>
<p><span style="color:#008080;"><em></em></span><span style="color:#008080;"><em>Gotthard Killian, cellist and flautist, has over the last 30 years toured many parts of the world while based at the Goetheanum, Switzerland, and for seven years at Melbourne, AUS, composing for eurythmy and theatre. He published ‘Die Monochordschule des Pythagoras’ on the Greek modes (BlueHill Publishing 2006).</em></span></p>
<p><strong><span style="color:#008080;">Running time: 50 minutes. </span></strong></p>
<p><strong><span style="color:#008080;">Cost: by negotiation. </span></strong></p>
<p><strong><span style="color:#008080;">Tour dates: Australia &amp; NZ: August/Sept 2011</span></strong></p>
<p><strong><span style="color:#008080;">                         </span><span style="color:#008080;">Europe, USA, Asia: Nov/Dec</span><span style="color:#008080;"> 2011.</span></strong></p>
<p><span style="color:#008080;">We are open to include workshops alongside our performances.</span></p>
<p><span style="color:#008080;"><strong>Contact: </strong></span></p>
<p><span style="color:#008080;"><strong>Mark Neill</strong></span><span style="color:#008080;"><strong> </strong></span></p>
<p><span style="color:#008080;"><a href="mailto:mark@eurythmy.com.au">mark@eurythmy.com.au</a></span></p>
<p><span style="color:#008080;"><a href="http://www.eurythmy.com.au">www.eurythmy.com.au</a></span></p>
<p><span style="color:#008080;"> <a href="http://www.aportraitofrichard3rd.wordpress.com">www.</a></span><span style="color:#008080;">aportraitofrichard</span><span style="color:#008080;">3rd.wordpress.com</span></p>
<p><span style="color:#008080;">3 Preshaw St, Castlemaine VIC 3450, AUSTRALIA</span></p>
<p><span style="color:#008080;">phone +61 (0)3 5470 5581</span></p>
<p><span style="color:#008080;"><em><strong>Previous tours have received the following responses:</strong></em></span></p>
<p><span style="color:#008080;"><em>&#8220;Our mixed group of younger and older high school students, from both State and Steiner schools, were captivated from start to finish by Mark Neill&#8217;s Hamlet.&#8221; </em>Georgie Michaelis, Chrysalis School, N.S.W., AUS.</span></p>
<p><span style="color:#008080;"><em>“The very attentive audience throughout tells it all: the children were quiet and engrossed in the tales. 5 out of 5.” </em>John Davidsson, Footscray City Primary School, VIC., AUS.</span></p>
<p><span style="color:#008080;"><em>“The live music, costumes and beautiful dancers kept the audience totally absorbed throughout the performance. Best children’s performance I’ve seen.” </em>Omeo Primary School, Omeo, VIC., AUS.</span></p>
<p><span style="color:#008080;"><em>&#8220;The Wolf was cool!&#8221; </em>Fourteen year old pupil, Armidale Steiner School, N.S.W., AUS.</span></p>
<p><span style="color:#008080;"><em>&#8220;Just keep touring.&#8221; </em>Class teacher, Christchurch Waldorf School, New Zealand.</span></p>
<p><span style="color:#008080;"><em>&#8220;I think I was most taken by the Eurythmy Lear &#8211; it fair blew me away. King Lear and his Daughters was electrifying.&#8221; </em>Marie Ryan, Radio 88.6FM, AUS.</span></p>
<p><span style="font-size:small;"><span style="line-height:24px;"><em></em></span></span></p>
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